Saturday, November 26, 2011

Sewing Tote Bag

This tote bag was the first sewing project I ever attempted on my own. I finally finished it this weekend, oh.... 2 years after I started it.


My first sewing machine was a semi-functioning tension-problem-ridden Singer I acquired off freecycle. Recieving it gave me an excuse to take Stonemountain and Daughter's Intro Sewing class, in which I made a horribly ill-fitting flannel robe (the fault of a unisex beginner's pattern - it wasn't me, I swear). The class was amazing, and I really wish I still lived in Berkeley so I could take more classes and shop at the store. When it finished, I went out looking for something "easy" and "useful" I could create... and I foolishly ended up picking a tote bag - Butterick's B5006. With 9 exterior pockets and everything lined, it's ambitious for a beginner and I didn't know what I was getting myself into.

I actually did quite well, all things considered. The thing that derailed me was really silly - the velcro closure. I was afraid to sew velcro on, couldn't find the right type, ended up getting some and then let the project lay untouched for almost two years. I came across it this weekend while looking for something to sew and finished it within a few hours.

It makes me laugh looking back at the bag now. The tension on my machine was so terrible! At the time, I barely knew was tension was, just that sometimes my machine seemed to work better than others. A few of the pockets are barely on there (such loose tension!) and will probably need to be hand-reinforced at some point. I actually should have done that before sewing in the lining, whoops.

polkadots! and puckering...

The bag makes copious use of interfacing, too. My current interfacing skills are clearly still at the same level they were when I started. Luckily, it's a little harder to notice the puckering and bubbling because the print is patterned and there are so many layers of pockets on top. I did some research on interfacing and now have some tips for the next time I have to use it:
  • Don't move your iron when you are fusing. Even though it is more fun. There is a big difference between "pressing" and "ironing" and I need to remember that.
  • A damp pressing cloth helps a lot.
  • Don't be impatient! You really do have to leave the iron on the fabric and --press hard-- while "pressing" for the amount of time it tells you to. It does take forever and you can't rush it.
  • Match your interfacing weight to the weight of the fabric.
  • If all else fails, and you don't mind something a little less stiff/bonded and having to sew through multiple layers, sew-able interfacing works too.
I picked up a couple other bag patterns since I'm still a little intimidated to try clothing. I will conquer interfacing. I'm making it my mission. I also upgraded my iron, which should help.

Anyway.

The velcro looks pretty terrible too. I totally should have used the massive velcro I got for my laptop sleeve. The velcro I bought years ago was iron-on. At the time, I thought it would be easier, but the instructions call for actually ironing - not pressing - the velcro on. And since the whole bag is covered in fusible interfacing, that's a recipe for disaster. And, for some reason, I got this weird velcro that was already broken into half inch squares - I hope not by choice, I'm going with the benefit of the doubt and saying that I had no idea it was like that. But, I just went with it. It looks terrible. Thanks Past Ally. Future Ally has learned her lesson.

Overall though, the bag looks good, and I'm happy to have finally finished that project. My other long outstanding sewing project, my quilt, is in the home stretch too, but quilting is another intimidating challenge. To be continued...

Sunday, November 20, 2011

String Art

My first foray into string art! A member of my craft group was leading a DIY workshop during SJMA's Art Rage this past week. When she told me she was planning to do a string art workshop, I made sure to go. String art was popular in the late 60s - it's a kind of art where you use strings to make geometric patterns, often with nails and wood. We did a much simpler version with pins and foam core. My masterpiece:


It'ss supposed to be a meatburger over the letters MBC for Meatburger Cat. This is what I come up with when I'm forced to make an idea on the spot. It took almost 2 hours to make. I also was trying to be artistic by using different thicknesses of string and different pin heights. Kind of a fail! For layers, thick string should definitely go on the bottom. Brighter colors, as well. Otherwise, the bottom layer is obscured. Plus, trying to make the string look uniformly random is super hard.

I think it looks a little better when it's just the letters.


And a shot from the side:


I thought this technique worked pretty well, at least with the shorter sequin pins. When the pins are too long they tip and can't support the tension of the string. I wonder if there is another material - maybe with more layers? - that would work better than foam core.

Monday, November 7, 2011

Lego R2D2 Earrings + Photoshoot

A quick and long overdue project:

R2D2 keychains + pliers - keyrings + earring hooks = R2D2 earrings!

 
They took me about 10 minutes tops, and only because I couldn't find my second pair of needle-nose pliers. Since the light in my apartment is notoriously bad for taking pictures of my crafts, I decided to take some shots in natural light at work... somehow, perhaps inspired by Slinkachu, it evolved into a photoshoot. Left to their own devices, what would these little R2s do?

Navigating a tiny staircase

An impossible traverse.

Who would have thought R2 was a boulderer?

Someone found a secret clubhouse.

That was too much fun.